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Pete Schmidt Reviews
April 2004
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Pete Schmidt has achieved a considerable buzz of late
through extensive touring and word-of-mouth. However, with the release of his new record, No Safe Bet,
much bigger things are in his future. The singer-songwriter's record has a definite "band feel" to it,
calling to mind recent radio smashes from Train, Vertical Horizon and Athenaeum.
Tracks like All Of Us and Famous will instantly grab you and attach their choruses to your head.
Pete steps out of form a bit, on 'Just So You Know', featuring a beautiful duet with Lindsey Wojcik.
Other strong tracks destined for radio include 'I Will Make It Up To You', 'Someday, and 'Graduation'.
The record is loaded with potential, and Pete sings with a confidence and presence that suggest he long
ago reached the stardom that he is on the cusp of. No Safe Bet is an unapologetic collection of
hooky melodies and lyrics throughout that suggest Pete is out to right the wrongs in his life.
On I Will Make It Up To You', Pete sings "I will make it up to you/If you only let me try/There's
Nothing That I Would Not Do"/Anything you ask me to/Just let me make this right". He echoes this
sentiment on 'Someday, "Someday some way/We can make this work out/Put some time in/Somehow when the
lights go down/We can make this work out." Pete continues the theme on the album-closing 'Get It Right
One Time', "A little deceiving/You yeah cause you are/A little misleading/Just Get It Right One Time."
No Safe Bet is available online through Awarestore.com
Don’t just take it from me though. Read Petes bio, the following glowing reviews of ‘No Safe Bet’, download a full length MP3 of All Of Us, and purchase a copy of the CD.
Official Bio
It is his proficient, honest songwriting, and truly skillful guitar-playing, coupled with an adept stage
presence that has been captivating audiences across the country and establishing Pete Schmidt as one of
most significant additions to the singer/songwriter genre. Pete, who grew up in Alpharetta, Georgia,
never took formal guitar lessons and honed his folk-rock sound “through endless experimentation” on an
antique acoustic guitar. His songs, written mostly about relationships past and present, are driven by
emotion and offer listeners and fans a peek into his personal and reflective side.
Inspired by early hard-rock heroes such as Metallica and Nirvana, Pete’s music career really began
taking shape in high school when he teamed up with fellow students to create an independent album.
Their school project soon became a career path for Pete, as the band who called themselves “Vital Souls”
decided to take their talent beyond the classroom walls. Pete went on to attend college in
Tallahassee, Florida, where he was still driven by the desire to inspire others with his music and
“just get out there and play.” He continued to perform solo shows at small venues, coffee houses, garages,
bookstores, and college parties, creating a solid fan base as he went.
With significant touring and the power of word-of-mouth, Pete Schmidt has already established himself
as one of the most noteworthy new artists on the scene, with an extensive underground following.
CURB Magazine recently declared that he “is quickly gaining a reputation as an artist to watch."
He has already established dedicated fans, willing to represent him in over 30 states, whose support
helped his EP “On Your Way To Fly” reach #1 at Awarestore.com. Appearing as a featured artist at MP3.com
and clearing over 60,000 downloads within only a few short months, his “everyman” songs are spreading
rapidly throughout the country.
Having also played with folk-hipster Jason Mraz (Elektra), and been invited by Star 94 Atlanta to
open for multi-Grammy winning Norah Jones (Blue Note/Capitol), many industry ears are perking up to
hear Pete's rootsy, soulful songs. Most recently, Pete was invited to open for internationally-acclaimed
David Gray (ATO) as a side stage performer at the Cynthia Woods Mitchell pavilion in Woodlands, Texas.
Pete Schmidt has hit a grand slam with his latest full length release. His sound is refined,
his songwriting keeps getting better, and his vocals are signature. A rich blend of emotionally raw lyrics,
Schmidt is a master songwriter in the vein of Matt Nathanson and Graham Colton. I feel that he's really
emerged with this album, which features the amazingly apologetic track, "Make It Up to You". Using acoustic
rhythms and soaring electric sounds (not to mention dramatic percussion effects), this song has that
pop-friendly aspect to it, while retaining emotional depth. In it, Schmidt sings, "I sit here and think
about what I had/And yeah maybe sometimes I'd like to have it back/When I see other people doing what
we did/Do you think about us, the replacement of us." "All of Us" is another gem of the album, a song
that proves Schmidt can stretch his vocal capabilities, with a little U2 tossed in. "Graduation" was
remastered from his previous EP, and the slower pace and electronically-charged background keep this
tune rocking smoothly, as Schmidt hits some great high notes. When I hear him belt vocally throughout the
album, I hear the true Schmidt. He seems much more at ease when he's wailing out the end chords and
choruses, but sounds a little too rehearsed during the verses of the songs. Regardless what you think of
his voice, I definitely think it works for him. The entire album has a beautiful range of melodies
intertwined with rich vocals and endearing lyrics.
From Discoveringartists.com
Written by Kristen Pasculli
Pete Schmidt has the hit the mark with his latest full-length release, “No Safe Bet.” This distinguished
singer-songwriter, recognized for his breezy vocals, soaring melodies, and candid songwriting, releases
his latest album on March 16, and it is one that has been highly anticipated for some time. This ten-song
collection takes the listener through a journey, one that anyone should be happy to go on. Filled with lively
melodies, incredible composition and arrangements, and the signature sound of Schmidt’s vocals, “No Safe Bet,”
is sure to delight. “No Safe Bet” opens with “Dreams”, an effervescent mix of electric guitars,
drums, and intricate rhythms. Schmidt shines on this opening track, his voice conveying the vibrant emotion
in the song. A unique arrangement in melodies, with various alterations in dynamics, “Dreams” is a perfect
way to open the CD and proves there are many great things to lie ahead, as he sings, “I’ve got all this living
to do/But I’ll make a dream out of you.”
“Dreams” evolves into “Make It Up To You,” an equally striking song, Schmidt has the unique ability to create
ear-pleasing melodies with catchy arrangements so that not one listener could deny it. “On Sunday,” follows,
and it is just another example of the incredible ability Schmidt has to make music. The evolution of Schmidt
as a musician is extremely evident in “On Sunday.” It demonstrates that he is not strictly a singer-songwriter
playing acoustic guitar—he is a musician with the ability to create a variety of different sounds, all appealing and
intricate in their arrangement. The slower, ballad-like “All of Us,” follows, which leads into
“Famous”—which is likely to be a fan-favorite from the album, as he sings “I’m always thinking of/ The things that
you had said/ I’m really only famous/When I’m in your head.” Schmidt’s smoky vocals combined with the light
instrumentation create a brilliant song where Schmidt’s talent shines through in the ease of the song.
Without added elements, the song is simple and elegant, and it is here that we see the radiant talent that
Schmidt possesses.
The next track is “Angel”—a rare beauty, lightly accompanied by acoustic guitar with the subtly of added drums.
Here, Schmidt sings, “Light up everywhere you go/ With that beautiful smile/And I wish I could have you
back/ Oh for just a little while/But excuse me, I need to get out my feelings/ Don’t leave me/ There’s so
much in this world you never got to see…/God made an Angel out of you/And I won’t forget that smile.” “Angel”
is a truly gorgeous song—wonderfully composed and written, it is songs like this that are hard to come by,
and Schmidt delivers it perfectly.
“Angel” breaks into “Someday”—a catchy song driven by electric guitars, which then evolves into “Graduation,”
a song that was also featured on his EP “On Your Way To Fly.” A pleasing song, it is nice to see Schmidt
return with an older song on this new release. “Just So You Know” follows, a breezy song that features
Lyndsay Wojcik on vocals in this duet. The mix of the two voices fits together flawlessly, and it is a change
of pace for the album, and a perfect way to brighten the song. “No Safe Bet” ends on a lively note with
“Get It Right One Time,” as Schmidt’s voice drives the song with the electric guitar accompanying him perfectly.
The instrumentation here is superb, all elements molding together to create one perfect sound. Schmidt shows off
his songwriting here with crafty lyrics such as “Don’t come to me when you figured out/That the picture that you
painted had too many colors.” A brilliant way to end the album, it leaves the listener in anticipation of what
more is to come from Schmidt and his music.
Pete Schmidt is a songwriter who does not write songs simply to write them, but one who obviously is completely
dedicated to his craft. While singer-songwriters grow in numbers every day, Schmidt stands apart from the rest
of the crowd. This latest release, “No Safe Bet,” is sure to be the album that lets Pete Schmidt be known to
the world, and he is deserving of that at the least. For information on Pete Schmidt, visit www.peteschmidtmusic.com,
and to order “No Safe Bet”, go to www.awarestore.com. Mark you calendars for March 16, because this is the day
you should be welcoming Pete Schmidt’s music into your life, if you have not already.
From pluggedinmusic.org
Written by Nicole Roberge
Pete Schmidt has the WB sound—you know all those bands that have been featured on several of their
shows in the past couple of years that have gone from relatively obscure alternative rock bands to
powering the influences of the mainstream. He’s got great pop appeal while still retaining that
coffeehouse vibe that the sweater-wearing, dark-rimmed glasses-donning angstas (hip-hop has gangstas,
alt-rock has angstas, ok?) will still clutch onto mightily. His vocals are a nod back to perhaps
Howard Jones ala his hit “No One Is to Blame” but don’t get carried away and believe that this
might be some kind of synth-pop or new wave knockabout—it’s pure emotional alternative rock.
“All of Us” is firmly wedged into the emotional pop with domineering vocals pyramid while other
tunes like “Dreams” can rock you out a bit more. I look down in astonishment and despite his
incredible vocal range, innate ability to write great music, and opening gigs for Norah Jones,
David Gray, John Mayer, The Violent Femmes, and Better than Ezra, he somehow does not have a record
label gushing overtures in his direction. That my friends is a crime and I daresay is the reason that
people steal the major labels’ music more and more often. If the industry can’t bend over backwards for
someone of this caliber than they don’t deserve to be in charge anymore. Besides my wife really liked it.
From Smother.net
By J-Sin